Were both youngsters and this, taken together with her eagerness to haveĪ man under her roof once again, results in the vampire being readily The widowed Cora hasn't seen Bellac since they We take to be Dracula, impersonates Bellac as a means of eluding theĪuthorities to America. The killer (Francis Lederer), a vampire whom To take him to live in Carleton, California with his American cousin,Ĭora Mayberry (Greta Granstedt) and her two children. Killed aboard a train en route to a transatlantic connection that was Story, a Transylvanian artist named Bellac Gordal (Norbert Schiller), is Norma Eberhardt and Francis Lederer evoke memories of SHADOW OF A DOUBT. Siodmak's Universal sequel SON OF DRACULA (1943). It's hard to believe because it contains scenes that mirror others in the as-yet-unreleased film, and because the film is so cleverly derived from two other pictures, Alfred Hitchcock's SHADOW OF A DOUBT (1953) and Robert Released one month before the film that stole all of its thunder, Terence Fisher's Hammer production DRACULA (US: HORROR OF DRACULA, also 1958), released by Universal-International. It's hard to believe, but in fact THE RETURN OF DRACULA was produced and These strangers on a train exchange lives rather than murders.
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